“Danny Kaye Succumbs To TV’s Spell Tonight”

Syracuse Post Standard – Oct. 30, 1960

By: Margaret McManus

NEW YORK – Danny Kaye makes his first TV appearance as an entertainer on his own hour-long special, “The Danny Kaye Show,” at 8 o’clock tonight, CBS-TV. For this auspicious occasion, he is being give the prime-time community known as the Ed Sullivan hour.

Kaye’s wife, Sylvia Fine, is the producer of the show, the first time she has ever accepted an official producer credit line for the creative work she does for her husband. Norman Jewison is the director and Louis Armstrong is the only guest on the essentially one-man show.

The last time I talked with Danny Kaye, it was just before his only previous television appearance, on Ed Murrow’s “See It Now,” which reported Kaye’s adventure abroad as an ambassador for UNICEF. [Click Here to read her previous article. - J.N. webmistress]

At that time, almost four years ago, Kaye was sitting on the sofa in the living room of this suite at the Sherry-Netherlands, feet on the coffee table, eating sunflower seeds. This time he was sitting on the sofa in the living room of his suite at the Sherry-Netherlands, feet on the coffee table, chewing gum. Lost his taste for sunflower seeds.

He said it’s a lot of baloney about his being a stubborn hold out against television.

“It just never worked out before,” he said. “I never said I wasn’t ever going to do any television. I only said I wasn’t in a hurry. I figured I’d be around awhile, and television will be around even longer. There was no mystical decision about this. When it came up before, I always had a movie or a show to do, and I didn’t want to squeeze in television and do it half-baked. To do television the way it should be done, takes a lot of time, the most. This fall I had the time to do it right.”

It could be that the price was right. Although Kaye will not say how much money he is getting bar show, he has signed an exclusive contract with General Motors to do one show a year for them, for three years. It is reliably reported that the sponsor has been most generous.

“I think I picked a nice little company to go with,” said Kaye. “We can grow together.”

He is an enigmatic man, tall, blond, blue-eyed, with a soft voice, irreverent manner and a marvelous way of cutting through banalities. He has a most appealing way with children, a mutual understanding.

The way things worked out, I took my seven-year-old daughter, Mary, along on this interview with Danny Kaye. She was utterly frank. She shook hands, looked him straight in the face and said: “I’ve never seen you on television.”

He said to her. “That’s because I was only on television once before, but you should have seen me. On that show I was entertaining children all over the world.”

“I should have seen it,” said Mary, sagely, agreeably. “You must have been on too late for me, or maybe I was out.”

Because I had told her that Kaye was especially skillful at making faces for children, Mary whispered to me to ask him to make a face. I relayed the message.

“I’ll make a face for you, Mary,” said Kaye, “but only if you ask me yourself. You might as well learn early that if you want something, you have to ask for it yourself. Nobody else can ask for you.”

Kaye and his wife Miss Fine have a daughter, Dena, 13½, for whom they have one ambition.

“I don’t care what profession she chooses,” said Kaye, “as long as she grows up to be a whole human being. I’m in a wonderful mindset. It’s one I’m suited to. I’m in it because when I was a kid, it was the best means I had at my command to express myself. There is nothing in the world I’d rather do. I have no regrets.”

He leaned back on the sofa and half closed his eyes.

“If I get tired of my work, and I frequently do, I take off a few months and loaf. I come back with renewed interest and vigor and excitement. I have to enjoy what I’m doing or I don’t do it well. […unintelligible…] and I are very good friends. I do not find it necessary to be in constant motion nor to work twelve months of every year. I do not expend energy foolishly, but I can always summon whatever energy I need, when I need it.”

Kaye, who was born in Brooklyn, made his first Broadway success in “Lady in the Dark.” He then starred in such movies as “The Secret Life of Walter Mitty,” and “Hans Christian Andersen.”

After tonight’s television show, he plans to begin work on another movie, but he won’t do another television show until 1961.

Some of the lads who slave over a television show every week, or even once a month, must have slightly savage feelings toward this man who makes his debut tonight as a once-a-year television regular.

How he has managed such an enviable arrangement would be difficult to explain. I’m sure it wasn’t easy. But then, who can explain the […unintelligible…] talents of Danny Kaye. As a performer and as a person, he is a […unintelligible…] unto himself. There is only the original […unintelligible…]


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